Almost Midnight
18 x 18” acrylic, mixed media on wood panel
The first pieces of this new series sit within the quiet threshold between endings and beginnings. Created in layered shades of deep blues, grays, and blacks, the work reflects the stillness of late night—a time when the day can no longer be changed, yet a new one is close.
Often created during these late hours in the studio, the series carries a sense of quiet finality alongside a feeling of anticipation. At this hour, the day is settled and complete. At the same time, there is a growing awareness that a new day is near, bringing with it the possibility to shape what comes next.
Energetic, searching lines move across the surfaces, intersecting with calmer, more deliberate ones to create a tension between motion and stillness. Influenced by modern architecture, these forms suggest both external structures and internal landscapes, with layered depth drawing the viewer inward.
I Scare Myself
Past Future
Up Next
One Minute (Please)
places i may have been
18 x 18” acrylic, mixed media on wood panel
Existing somewhere between recollection and invention, places i may have been draws from fragments of real places and dreamlike, often surreal impressions. Each work begins with a sense of familiarity—an emotional recognition rather than a fixed location—where memory and imagination merge.
Together, the paintings unfold as a passage. Shifting between structure and atmosphere, they echo the way memory behaves—fragmented, layered, and in motion.
These are not depictions of specific places, but spaces discovered through process: constructed, undone, and reformed until they feel both unfamiliar and somehow known.
transport
detour
cantilever
corridor
park
third story
gin
exit
tipping point
going through
12 x 12” acrylic, mixed media on wood panel
A series exploring the in-between—where inside and outside overlap, and movement is felt through layered space rather than a clear path.
going through 1
going through 2
going through 3
going through 4
